飄讀後感英文500字6篇

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其實讀完書後寫讀後感是一種很好的閲讀習慣,一篇好的讀後感應當有時代氣息,下面是本站小編為您分享的飄讀後感英文500字6篇,感謝您的參閲。

飄讀後感英文500字6篇

飄讀後感英文500字篇1

?簡愛》是一部帶有自轉色彩的小説,它告訴人們一個人生的真諦。

?簡愛》的作者夏洛蒂勃朗特温柔,清純,喜歡追求一些完美的東西,儘管她家境貧窮,從小失去了母愛,再加上她身材矮小,容貌不出眾,但也許就是這樣一種靈魂深處的自卑,反映在她的性格上就是一種十分敏感的自尊。她描述的簡愛也是一個不美的,矮小的女人,可是她有着極其強烈的自尊心。

簡愛生存在一個寄人籬下的環境,從小就承受着與同齡人不一樣的待遇,姨媽的嫌棄,表姐的蔑視,表哥的侮辱和狠打也許正是因為這一切,換回了簡愛無限的信心和堅強不屈的性格,一種可戰勝的內在人格力量她堅定不移地去追求一種光明的,聖潔的,完美的生活。

在羅切斯特的面前,她從不因為自我是一個地位低賤的家庭教師而感到自卑,反而認為他們是平等的。也正因為她的正直,高尚,純潔,心靈沒有受到世俗社會的污染,使得羅切斯特為之震撼,並把她看作了一個能夠和自我在精神上平等交談的人,並且深深愛上了她。

而當他們結婚的那一天,簡愛明白了羅切斯特已有妻子時,她覺得自我必須要離開,她雖然講,我要遵從上帝頒發世人認可的法律,我要堅守住我在清醒時而不是像此刻這樣瘋狂時所理解的原則。可是從內心講,更深一層的是簡愛意識到自我受到了欺騙,她的自尊心受到了戲弄,因為她深愛着羅切斯特。但簡愛做出了一個十分理性的決定。在這樣一種感情力量包圍之下,在富裕的生活誘惑之下,她依然要堅持自我作為個人的尊嚴,這是簡愛最具有精神魅力的地方。

小説有一個光明結尾--羅切斯特的莊園雖然毀掉了,並且他自我也成了一個殘廢,但正是這樣一個條件,使簡愛不再在尊嚴與愛之間矛盾,而同時獲得自我的尊嚴和真愛。

在當今社會,人們都瘋狂地為了金錢和地位而淹沒感情。在窮與富之間選擇富,而在愛與不愛之間選擇不愛。很少有人會像簡愛這樣為感情為人格拋棄所有,並且義無反顧。《簡愛》所展現給我們的正是一種返樸歸真,是一種追求全心付出的感情,還有作為一個人應有的尊嚴。它猶如一杯冰水,淨化每一個人的心靈。

飄讀後感英文500字篇2

this is a story about a special and unreserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal story can be interpreted as a symbol of the independent spirit.

it seems to me that many readers’english reading experience starts with jane eyer.i am of no we refer to the movie“jane eyer”,it is not surprising to find some differences because of its being filmized and retold in a new way,but the spirit of the novel remains----to be an independent person,both physically and mentally.

jane eyer was a born resister,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as a e jane’s education in lowwood orphanage began,she didn’t get what she had been expecting——simply being regarded as a common person,just the same as any other girl suffers from being humiliated and devastated teach jane to be persevering and prize dignity over anything a reward of revolting the ruthless oppression,jane got a chance to be a tutor in thornfield e she made the acquaintance of lovely adele and that garden’s owner,rochester,a man with warm heart despite a cold face expected to change the life from then on,but fate had decided otherwise:after jane and rochester fell in love with each other and got down to get marry,she unfortunately came to know in fact rochester had got a legal wife,who seemed to be the shadow following rochester and led to his moodiness all the time----rochester was also a despairing person in need of did want to give him a hand,however,she made up her mind to leave,because she didn’t want to betray her own principles,because she was jane film has finally got a symbolist end:jane inherited a large number of legacies and finally r finding rochester’s misfortune brought by his original mad wife,jane chose to stay with him forever.

i don’t know what others feel,but frankly speaking,i would rather regard the section that jane began her teaching job in thornfield as the film’s end----especially when i heard jane’s words“never in my life have i been awaken so happily.”for one thing,this ideal and brand-new beginning of life was what jane had been imagining for long as a suffering person;for another,this should be what the audiences with my views hoped her to the professional judgment of producing films reminded me to wait for a totally different result:there must be something wrong coming with the excellence----perhaps not only should another section be added to enrich the story,but also we may see from the next transition of jane’s life that“life is like a box of chocolates,you never know what you would get.”

飄讀後感英文500字篇3

在我的心目中,《簡·愛》是一部完美而偉大的著作,因為它使我懂得了什麼是善惡美醜,學會了怎樣做人,而書中的主人公簡·愛就是我學習的榜樣,她的聰明、善良、堅強、有主見,是最令人敬佩的。簡·愛的一生悲歡離合。她遭遇了許多挫折和坎坷,能夠説是不幸的,可是她卻從不向命運低頭,任何困難在她面前都會感到恐懼。

簡·愛從小被她的舅媽收養,受盡了她的虐待。並且她舅舅的兒子約翰裏德還是一個又胖又大、蠻橫無理、豬狗不如的禽獸。他經常無緣無故地打罵簡·愛,但她的舅媽不但不去制止,反而支持她野蠻的兒子。然而,簡·愛是一個頑強的、決不向惡勢力低頭的人。她再也忍受不了了,她對約翰的恨壓倒了對他的畏懼,不顧一切地跟他對打起來。當然,結果可想而知,簡·愛受到了她舅媽的懲罰。但她的這次舉動足以令約翰膽顫心驚。

簡·愛説過這樣的一段話,給我的印象很深,也很能體現她的性格。她説:“如果大家老是對殘酷,不公道的人百依百順,那麼那些壞傢伙就更要任性胡來了,他們會什麼也不懼怕,這樣也就永遠也不會改好,反而越來越壞,當我們無緣無故捱了打,我們必須要狠狠地回擊。”我很贊成簡的這種説法,因為自尊、自重是做人的最起碼的要求。

可是海倫·彭斯,她的觀點與簡是截然不一樣的。海倫主張凡事能忍就忍,這樣自我歡樂,別人也會對你好一些。我覺得海倫的這些話在我們看來是很讓人不可理解的。可是她的寬容、忍讓以及她那博大的胸懷,是令人欽佩的。我們無需去評價她的話,至少我們應從中悟出些什麼。我很喜歡海倫的一句話:“我覺得生命太短促了,不值得把它花費在懷恨和記仇上。”只要我們每人都能記住它,多多去理解別人,體諒別人,關心別人,多看到一些完美的事物,樂觀地對待生活,我們的生活中必須會充滿陽光。

飄讀後感英文500字篇4

世界名著到底是不一樣於一般的作品,讀得時候能完全的融入到故事的情景中去,雖然他的語言情節,甚至結局都很平淡,故事也逃不出世俗的套路,以讀者期盼的方式發展。

?簡愛》讓我閲讀越喜歡,它不催我一滴眼淚,或一絲個性的感動。但那種心裏淡淡的愉悦灌入我的身體。像早起喝了一杯純牛奶,很淡但牛香味久久不散。

我讀過許多關於感情的詩和小説,大多心靈震顫,感動得一塌糊塗,也很嚮往那樣深刻的感情,那樣濃烈的感覺。以前有過,於是越細讀簡愛的心理描述,越能體味她對戀人的深情。她的一切心理,脆弱,傷感,多疑,幻想,甚至過於敏感的患得患失。我都能理解,並深刻的感歎作者的描述是多麼形象逼真啊。

我一向很佩服明曉溪的《泡沫之夏》描述的唯美入微,《紅樓夢》裏黛玉的心思細膩感人,此刻感覺到簡愛的絲毫不比她們遜色,甚至更貼切,更貼合一個普通女孩墜入愛河時的表現,至少是與我相貼合。

回想起來,我真和她讀過的那一段時間很像,每一天想的都是那麼複雜的東西。呵,多傷神啊,可卻從沒有停止想過。生命的平淡卻所以消失,代之以豐富的東西。很少有人能在心中劃下印痕。簡愛太冷淡,生活也很灰暗,羅徹斯特便是上帝帶給她去改變生命的人。而簡愛也在他心中激起永遠無法平息的漣漪。我想他們對於彼此而言都太特殊了,以至於一輩子都沒辦法忘掉或不愛,如果失去了彼此,那該是怎樣的荒蕪啊。

好在他們有相對愉快的結局,只要兩情相悦,還是能夠在一齊的,可總感覺作者結局火災部分的安排有些……,雖然有她的道理。

如果他們沒有在一齊會怎樣呢?這是不可能的,按照小説的鋪墊。現實中就不一樣了,就是心靈相通也未必。人的追求多了,慾望也一樣。難免最終各奔東西。

簡愛是個個性的人,她不求什麼,也不被現實的枷鎖所累,無欲則剛,她能夠一心持續特立獨行的她。或許這正是我該學習的,想太多,難免會陷入牢籠之中。倒不如簡單淡薄的好。

飄讀後感英文500字篇5

簡﹒愛最終獲得了她的幸福和歡樂。

翻過了書的最終一頁,我感到一陣釋懷,我喜歡這樣的結局。她將夏日的陽光帶到羅切斯特先生臉上的時候,我的心也頓時明媚了。

她的無時不飄揚在生活中的動人氣質和人格已不知不覺地漸漸在我的腦海中沉澱——

當羅切斯特先生一顆心在試圖向她靠近時,簡謹慎地躲開了,她一向以來獨自開闢新生活的孤獨和無助使她格外擔心受到傷害,這卻恰恰給她帶來多一分優雅,少一分輕浮;她告訴羅切斯特先生什麼是給一個教師最好的禮物,和那些出身高貴、傲慢又勢利的太太小姐們比起來,簡﹒愛自尊又不失禮貌的言行,真誠樸素的內心,善良又大方的品質得到了羅切斯特先生的欣賞;為了尊嚴,她勇敢地訣別,流浪的生活更無疑是雪上加霜,可是她堅韌、無私、勤奮地工作使她在乏味的生活中找尋到了寧靜和歡樂……

是什麼樣的生命元素造就了她善良、堅韌的人格魅力?

看看她童年的生活吧。若只是輕描淡寫地説她是孤兒,就已經很讓人為她心生憐愛了,然而,就連她祈求融入舅媽親情的圈子,得到一點微薄關愛的願望也被命運無情地拒絕了。我還記得還是個小孩子的簡倔強又哀怨的聲音在低訴:“我今年10歲了,然而從我記事開始,我的生命宛如風雪中的一莖弱草,任人欺凌,卻不曾折斷。”應對欺侮,簡奮起反抗,她的反抗卻遭到了更大的迫害,她應當反抗嗎?她那脆弱無助而又不屈的心在向我傾訴:“我本想對人友善,也想得到別人的關愛,為什麼生活讓我拿起刀槍,去四處拼殺。”在嚴苛的洛伍德學校,惡劣的條件和無理的責備又給她的新生活蒙上了灰色,她表現出了一個孩子最真實的苦楚——他沒有勇氣獨立承受孤獨和這個世界上的風雨。

然而,生活的艱難磨礪了她的羽翼,不幸沒有將她變得像海倫一樣學會忍受,而是使她更加堅強地應對生活。她不相信海倫走到生命盡頭時在她懷裏描繪的彼岸世界,她承受着命運帶給她的苦難,卻絲毫沒有減損她對生命的熱愛。她嚮往淳樸的自然,她渴求知識,追求豐富的精神世界,追求完美的新生活。這就是她的性格,她的內心,她對世界的看法,她對自由的嚮往,她的反抗,她的尊嚴,她的愛和她的悲涼。

這一切都讓我不再疑惑她的倔強和堅韌從何而來。

飄讀後感英文500字篇6

bertha mason is the insane wife of rochester. in precise contrast to the angelic helen, bertha is big, as big as rochester, corpulent, florid, and violent. much of bertha’s dehumanization, rochester’s account makes clear, is the result of her confinement, not its cause. after ten years of imprisonment, bertha has become a caged beast (showalter 73). as bronfen states, where helen ‘fed’ off her dead ancestors, bertha feeds off the living, bites and draws blood from her brother, repeatedly threatens the life of her husband, and embodies a return of what they would like to repress (200). bertha can be seen as jane’s darkest double, as her ferocious secret self, who appears whenever an experience of anger or fear arises on jane’s part that must again be repressed (jane eyre 167)ng for and like jane, she enacts the violence jane would like to but can’t express, especially in respect to marriage. she also articulates jane’s fears and desires about her own mortality (bronfen 200).

there are multiple themes in jane eyre. one of the main themes is the need for love contrasting with the need for independence. as a bildungsroman, jane eyre is the story of jane’s striving for independence, struggling with passion, and finally growing into maturity. as the story starts, gateshead is the place in which the passions of childhood are given free rein (lamonica 70). in lowood, although jane is no longer dependent on the reed family, her passion is restricted by the severe rules. in thronfield, however, an excess of passion between jane and rochester ultimately causes her to run from thornfield hall with no plans for the future, ending up starving and delirious on the doorsteps of the rivers family at marsh end (teachman online). marsh end, like lowood, is a place where restraint of passion is a way of life. while she cares deeply for st. john, who asks her to marry him, jane knows that she would never be able to love him with the kind of passion she feels for rochester. as teachman states, jane is a woman who, having once known true passion, cannot settle for anything less in marriage (online). in ferndean, the final location of the novel, passions have been moderated to some degree by both time and experience. burn have rendered rochester dependent on others for his daily care. jane thus finds him changed from a vital and sometimes threateningly passionate man into a man tamed by both emotional and physical trauma (teachman online). jane, on the other hand, had found loving cousins. she has also inherited her uncle"s fortune, making her an independent woman with no need of the financial support. as a result of this increased level of independence, she is able to regulate her passions, indulging them when she feels it appropriate and choosing not to act on them at other times. this final section of the novel reveals the integration of essential parts of jane"s personality and education into a b adult woman, who also at this time becomes a mother and a true partner to her husband (teachman online).

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